For the Conceptual and Land artists of the 1960s nature ceased to be an object of representation. Instead these artists developed a relationship to nature that was driven by conceptual literary or scientific concerns while other artists such as Richard Long and Hamish Fulton sought ways of establishing a more active relationship with the landscape most famously through the experience of walking. It is perhaps unsurprising that such a solitary and ephemeral experience gave birth to a number of ar