This issue of AD posits that this reexamination and redeployment of postmodernist approaches is the architectural attempt to reflect grapple with and make sense of the current political and economic situation. The term ad hoc is used to describe a resistance to stylistic conformity and predictability that embraces individuality and which conceives architecture in a broader cultural space. As a mode of practice marked by stylistic divergence the links shared interest and continuities that exist