In 1995 Mike Kelley devised the Educational Complex an amalgam of every school he attended and of the house he grew up in with all the parts I couldnt remember left outa total environment sort of like the model of a Modernist community college. The blind spots in this model represent forgotten repressed zones and so are reconceived by Kelley as sites of institutional abuse for which specific traumas were devised each having their own video and sculptural component. For Kelley this work marks t